O, Merciful Heaves!
Abe Sapien
Art by Sebastián Fiumara

Abe Sapien

Art by Sebastián Fiumara

Conan The Conquerer
Art by Thomas Giorello

Conan The Conquerer

Art by Thomas Giorello

historicaltimes:

Los Alamos scientist sitting next to the worlds first atomic bomb shortly before the Trinity test. July 16, 1945

historicaltimes:

Los Alamos scientist sitting next to the worlds first atomic bomb shortly before the Trinity test. July 16, 1945

Art by John Blanche

Art by John Blanche

humungus:

血滴子 The Flying Guillotine (1975)

humungus:

血滴子 The Flying Guillotine (1975)

Art by John Blanche

Art by John Blanche

Art by Yoshitaka Amano

Art by Yoshitaka Amano

Art by John Blanche

Art by John Blanche

Baltimore: Chapel of Bones
Art by Mike Mignola

Baltimore: Chapel of Bones

Art by Mike Mignola

Hellboy In Hell #6: The Death Card
Art by Mike Mignola

Hellboy In Hell #6: The Death Card

Art by Mike Mignola

Lobster Johnson: Satan Smells A Rat
Art by Mike Mignola

Lobster Johnson: Satan Smells A Rat

Art by Mike Mignola

jose891:

once upon a time in the west

jose891:

once upon a time in the west

Emperor of the North (1973)
To my disappointment, NOT about Lee Marvin rollin’ up into Westeros like a boss and whipping everyone’s butts in line. That aside, pretty good flick. The fight between Borgnine and Marvin at the end is a doozy.

Emperor of the North (1973)

To my disappointment, NOT about Lee Marvin rollin’ up into Westeros like a boss and whipping everyone’s butts in line. That aside, pretty good flick. The fight between Borgnine and Marvin at the end is a doozy.

Escape From New York (1981)

Escape From New York (1981)

pizza-party:

scalesofperception:

Colosses | Fabrice Fouillet | Via

Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community. 

Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.

The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues. 

SoP | Scale of Environments

Every time I’ve ever seen an artist’s interpretation of what the Colossus of Rhodes looked like, I’ve always wondered what it would have really looked like. That is why this is awesome to me..